"ARSOUILLE, sporty driving by motorcyclists on road"
As early as 1950, the motorcycle emerged as a symbol of the counterculture in the United States. Over time, its connection to protest movements evaporated, but it has never ceased to be a singular culture. Although speed is an important notion in the development of the project, it also focuses on the anthropology of the biker, his motivations, his perception of risk, his choice of freedom as well as his identity (graphic, clothing and moral), an essential element that inscribes him within a "marginalized" community.
As early as 1950, the motorcycle emerged as a symbol of the counterculture in the United States. Over time, its connection to protest movements evaporated, but it has never ceased to be a singular culture. Although speed is an important notion in the development of the project, it also focuses on the anthropology of the biker, his motivations, his perception of risk, his choice of freedom as well as his identity (graphic, clothing and moral), an essential element that inscribes him within a "marginalized" community.
